3x09 - Lost Girls

[Prue Brianna Johnna Halliwell]

DESTINED

"LOST GIRLS"

TEASER

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - NIGHT

Takes from all over the town at the sound of "Sea of Lovers" by Christina Perry.

Fog covers the town. It seems like a cold and sad night has arrived in San Francisco.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - TAMORA / PANDORA'S BEDROOM - NIGHT

MUSIC CONTINUES.

Lots of things are on the floor. Some of them are even broken. It looks like if a hurricane had passed there.

SOMEONE'S SOB IS HEARD.

The camera shows the mess that has become the bedroom.

Slowly it approaches the person that has caused it. Tamora is sitting on the floor holding her legs. She wears only a simple white t-shirt and black pants. She cries. Her eyes are red. It seems like she's been crying a lot lately.

She closes her eyes. She going through a big pain.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - CORRIDOR - NIGHT

Pandora is leaning against the wall next to her bedroom's door. Tears roll down her face. She's suffering too.

MUSIC FADES OFF.

The girl sobs. Junior comes in from downstairs. He stops as he sees his sister. Pandora looks at him and dries her tears.

PANDORA

(sad)

Hey!

JUNIOR

(blue too)

Hey!

(approaches her)

She's still there?

Pandora nods.

PANDORA

She doesn't let me in.

(lowers her gaze)

She destroyed the entire bedroom. I only got time to take a few things out.

(looks at him)

She almost burnt the whole place. I got in time.

Junior hugs his sister.

JUNIOR

This is not being easy for you either, huh?

Pandora lets her tears come down again.

PANDORA

I can feel her pain, Junior.

They separate.

PANDORA (CONT'D)

I can't control it.

JUNIOR

You're twins. You two share a connection.

(touches her face)

But, honey, you need to sleep.

PANDORA

I can't. She's right there.

JUNIOR

Let's do this. You go to Aunt Phoebe's home and sleep there. I'll stay here.

Pandora nods.

JUNIOR (CONT'D)

Where are mum and dad?

PANDORA

Dad has got stuck with the investigation ---

JUNIOR

(remembers)

The Mayor. I know. It's been crazy there too.

PANDORA

And mum, well, she was called Upstairs and sent a message saying that they need her there.

JUNIOR

We need her here too.

PANDORA

Yeah, but Tam doesn't want to see anyone.

Junior takes a deep breath.

JUNIOR

Go to Aunt Phoebe's house.

PANDORA

Would you take care of her?

JUNIOR

I'll do my best.

Pandora and Junior force a smile. A tiny smile. Pandora heads downstairs. Junior stares at the bedroom door and takes a deep breath. He lowers his gaze.

CUT TO:

INT. HALLIWELL MANOR - 1ST FLOOR CORRIDOR - NIGHT

Wyatt comes walking with a glass of water. He's heading to Chris' old bedroom and passes in front of his own bedroom. Something calls his attention.

CLOSE UP: LIGHT IS SEEN FROM THE BOTTON OF THE DOOR.

The light comes from his bedroom. He approaches it and knocks the door. He opens the door.

CUT TO:

INT. HALLIWELL MANOR - WYATT / PRUE'S BEDROOM - NIGHT

The table lamp is on. Prue is sitting at the window looking through the glass. Wyatt comes in.

WYATT

Prue?

She looks at him.

WYATT (CONT'D)

What are you doing up?

PRUE

I can't sleep.

Wyatt closes the bedroom's door. He walks towards her and puts the glass of water on the chest of drawers.

WYATT

Why?

Prue gets back to looking through the window.

PRUE

Because every time I close my eyes I can see it.

Wyatt sits next to her. She looks at him.

PRUE (CONT'D)

The Darkness.

WYATT

It's just a nightmare, Prue.

PRUE

The same nightmare every night?

Both stare at each other.

WYATT

(assuring)

We'll gonna find out what's going on, OK?

Prue looks through the window again.

PRUE

I think it's all related. Now, with what happened to Sebastian.

(looks at him)

Maybe what Raina said ---

WYATT

(cuts her off)

We will find out for ourselves. Period.

Prue rolls her eyes.

WYATT (CONT'D)

Love, those nightmares of yours may have nothing to do with it.

Prue looks at him serious as she hears him calling her 'love'.

WYATT (CONT'D)

I have started my own investigation. I haven't got anything, but I will.

Prue keeps staring at him.

WYATT (CONT'D)

So, that's it. We don't need Raina's advice and stories.

He looks her seriously.

WYATT (CONT'D)

Are we clear?

Prue smiles.

WYATT (CONT'D)

What's funny?

PRUE

You called me 'love'.

WYATT

(surprised)

I did?

Prue nods yes.

PRUE

It's been a while since the last time I heard you calling me that.

Wyatt smiles.

WYATT

Well, love ---

(smiles)

--- Bed, now.

Wyatt extends a hand to her. Prue looks at his hand.

PRUE

Only if you stay here.

WYATT

I'll stay until you fall asleep.

PRUE

No.

She's serious.

PRUE (CONT'D)

For the night.

They look each other serious. Wyatt takes a few minutes to think and then ---

WYATT

Fine.

Prue smiles and then takes Wyatt's hand and both head to bed. They get into bed. Wyatt puts an arm over her shoulder while she hugs him. Wyatt turns off the table lamp. Only the light from the street enters the bedroom. Wyatt kisses Prue's forehead softly.

CUT TO:

INT. UNDERWORLD - IGNATIUS CAVE - NIGHT

Ignatius stands in front of a table. There are the book and the medallion, side by side.

CLOSE UP: BOOK OF ANGELS VOL. VII AND MEDALLION.

Ignatius looks serious at them. At that moment, the Oracle comes in.

ORACLE

What news do you have?

She stops as she sees him focused.

ORACLE (CONT'D)

What are you doing?

The Oracle approaches him. She sees the book and her eyes pop open.

ORACLE (CONT'D)

(amazed)

You found it.

Ignatius doesn't turn to face her.

IGNATIUS

Any doubts I would?

ORACLE

To be honest? Yes. Those objects were kept hiding for ions.

(pauses)

So well hidden that the Ancient Wizards that heard about it started doubting it was true.

IGNATIUS

It was one of them that told me about it.

Ignatius turns to face the Oracle.

ORACLE

(surprised)

You met one of the Ancient Wizards?

IGNATIUS

(smiles)

I was a young demon and he had giving up living. But before dying he taught me a lot.

Ignatius looks at the book and the medallion.

IGNATIUS (CONT'D)

For centuries I concentrated myself on finding them.

ORACLE

You know that if the stories are true, you'll be unleashing the worst evil that has ever existed?

Ignatius smiles.

IGNATIUS

I wish for nothing less.

The Oracle is serious. Ignatius looks at the book and the medallion again.

CUT TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Wes Ramsey as Wyatt Halliwell 

Drew Fuller as Chris Halliwell

Sophia Bush as Prue B. J. Halliwell 

Blake Lively as Melinda Halliwell

Leighton Meester as Charlotte Halliwell

Victoria Justice as Cassandra Halliwell

Chace Crawford as Henry Mitchell Jr.

Misha Barton as Tamora and Pandora Mitchell

Recurring

Marisol Nichols as Bianca

Guest Starring

Katie Cassidy as Melissa

John Wesley Shipp as Ignatius

Tyler Blackburn as Ben Morrison

Peter Facinelli as Sebastian

Demi Lovato as Demetria

Alex Mauriello as Oracle

Sophie Turner as Joy

Aj Risi as Wade

Joe Heayn as Butler

Created by

Constance M. Burge and Brad Kern (Charmed)

Sol (Destined)

Written by

Sol

Edited by

Megail Hill aka Piper Halliwell and Matty aka Prue Halliwell I

Copyrights: Destined is a registered work and belongs to the writer Sol. Any copy or reproduction without permission is a crime punished by law.

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY

Takes all over the town at the sound of "A Better Day" by Andrew Briol.

The day has started with intense fog. It seems like a cold day. The sun seems to be too shy to shine.

People start leaving their homes to work. Everyone wearing heavy coats. Public transports are full with people. Shops start opening.

CUT TO:

EXT. CHRIS / BIANCA'S CONDO - DAY

STOCK.

MUSIC CONTINUES.

CUT TO:

INT. CHRIS / BIANCA'S CONDO - LIVING ROOM / KITCHEN - DAY

MUSIC FADES OFF.

Chris is at the counter having breakfast. He seems lost in his own thoughts. Bianca is in front of him behind the counter. She's looking at him seriously.

BIANCA

Chris, are you listening to me?

Chris is called back from his thoughts.

CHRIS

What?

BIANCA

I'm talking to you and you seem like you're not listening.

CHRIS

(disguises)

I did listen to you.

BIANCA

Oh, yeah?

(daring)

Then, tell me, what was I saying?

Chris thinks for seconds. Bianca shoots him a look.

CHRIS

You were talking about ---

Bianca raises her eyebrows.

BIANCA

Yes?

CHRIS

P3?

BIANCA

No, Chris! I was telling you that we have new neighbors and I met them yesterday.

CHRIS

What happened with the old ones?

Bianca shoots him a 'seriously?' look.

BIANCA

They moved out. The family was growing.

Chris is not interested at all.

BIANCA (CONT'D)

You know what? Forget it.

Bianca starts cleaning some dishes.

CHRIS

Sorry, babe, I'm just not in the mood.

BIANCA

That I can see.

Bianca takes Chris's dishes.

BIANCA (CONT'D)

Are you worried about Tam?

CHRIS

I am, but I know she'll overcome this.

BIANCA

I hope so. She seems destroyed.

CHRIS

But that's not why I am like this.

Bianca stares at him.

BIANCA

So?

Chris thinks before talking. He takes a deep breath.

CHRIS

I shouldn't tell you.

BIANCA

I'm your wife.

They both stare at each other.

CHRIS

You can't tell Prue what I'm about to tell you.

BIANCA

So, it's a secret?

CHRIS

It's Wyatt. He's keeping a piece of flesh. Conrad's flesh.

BIANCA

Cole's brother?

CHRIS

That one.

BIANCA

What for?

CHRIS

What do you think?

BEAT. Bianca is astonished.

BIANCA

If she finds out ---

CHRIS

I know. Get it now?

BIANCA

Have you talked to him?

CHRIS

(nods no)

Not exactly. We were interrupted when Tam came in with Sebastian.

BIANCA

What are you gonna do?

CHRIS

I don't know.

(lowers his gaze)

He is my brother, but ---

(pauses)

--- He's keeping something from my best friend.

(looks straight at her)

I don't know what to do. I just think he's doing the wrong thing.

BIANCA

Then, talk to him and tell him that.

CHRIS

He won't listen.

Chris stands.

CHRIS (CONT'D)

But I have an idea.

Bianca stares at him.

CHRIS (CONT'D)

I'm gonna give him a chance to talk to her or to destroy the damn thing.

Bianca gives him a supportive look.

CUT TO:

EXT. HALLIWELL MANOR - DAY

STOCK.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - DAY

Melinda is setting the table for breakfast. She takes some yummy toast to the table. Then the coffee. Heads to the fridge and opens it. She takes the milk and the orange juice and puts them on the table. Prue comes in as Melinda finishes setting the table.

PRUE

(smiling)

Good morning!

Melinda looks at her and smile.

MELINDA

Wow! You had a good night sleep, huh?

Prue sits at the table. She smiles.

PRUE

Yeah.

Prue puts some coffee in her cup.

MELINDA

So, I went to Chris' old bedroom this morning and it was empty.

PRUE

Yeah, I know.

MELINDA

That's why you are so happy this morning!

Melinda sits at the table and puts some coffee on her cup.

PRUE

I'm not happy, I'm relaxed. I had not a single nightmare last night.

MELINDA

Did they stop?

PRUE

I hope so.

At that moment, Pandora comes in from the back door. She's wearing a heavy jacket. She comes in trembling has if she was cold.

PANDORA

Morning, guys. Is there hot coffee in this house? It's so cold outside.

MELINDA

Morning you too. Yes, have a seat.

Pandora sits as well. Melinda goes for another cup.

PANDORA

(to Prue)

By the way, thank you. Your old bedroom is so quiet. It's been days since I had a good night sleep.

PRUE

Did you sleep in my old bedroom?

PANDORA

I did.

Melinda hands Pandora the cup.

MELINDA

Why?

Pandora puts some coffee in her cup.

PANDORA

Because it was unbearable being in my house.

MELINDA

Tam?

PANDORA

Yeah. I can feel it all.

PRUE

The twins connection.

PANDORA

Yeah, I know, but ---

(has a sip of her coffee)

--- It never was this strong. I felt like if it was me with those feelings.

MELINDA

Poor Tam. I'm feeling sad for her.

PRUE

She loved him.

PANDORA

She barely knew him.

PRUE

It doesn't mean she didn't love him. And besides, he was her charge. She lost her charge.

The girls look at one another.

PRUE (CONT'D)

I gotta tell you something.

Melinda and Pandora look at Prue.

PRUE (CONT'D)

Wyatt will probably kill me, but ---

(she shrugs)

I called Raina a while ago.

MELINDA

(surprised)

You did what?

PANDORA

You are not thinking of going back, are you?

Melinda and Pandora stare at Prue.

PRUE

I must confess that I thought about it, but no. I needed some answers. I still need. Even now with what happened.

PANDORA

What happened was that a demon killed Sebastian.

PRUE

Exactly. Why would he kill Sebastian?

PANDORA

Because ---

Pandora interrupts herself because she has no answer to it.

PRUE

Exactly.

Prue has a sip of her coffee.

PRUE (CONT'D)

What happened with Melissa, now Sebastian. It's all related.

(pauses)

And my nightmares.

MELINDA

What did Raina say?

PRUE

(serious)

It's darkness.

Melinda and Pandora exchange glances.

MELINDA

What do you mean with 'darkness'?

PRUE

Raina said ---

WYATT (O.S.)

Nothing that matters.

Wyatt stands at the doorway. He shoots Prue a look.

WYATT (CONT'D)

(to Prue)

I told you. We don't need that woman telling us what to do. Besides, we always investigated by ourselves. This time is not different.

Wyatt approaches the table and puts some coffee in his cup.

WYATT (CONT'D)

(to Prue)

Are we clear?

PRUE

(serious)

OK. It'll be your way now.

WYATT

Good.

PANDORA

Now I'm curious.

WYATT

Don't be.

Wyatt has a sip of his coffee.

WYATT (CONT'D)

I need to head to work. See you later.

MELINDA

Bye, bro.

Wyatt heads out. Pandora looks serious at Melinda.

PANDORA

Are we really clear, Prue?

MELINDA

She said 'OK'. She didn't say 'yes, boss'.

Prue shoots Melinda a look.

PANDORA

And that makes all the difference, huh?

PRUE

He didn't say I couldn't investigate myself.

MELINDA

What are you gonna do?

Prue stands.

PRUE

First, I'm gonna check on my cousin and then ---

(pauses)

--- Well, I follow my instincts.

Prue smiles. She heads out.

PANDORA

(aloud)

Don't forget the jacket!

Melinda and Pandora exchange glances. Both have another sip of coffee.

CUT TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

FADE IN:

INT. DOWNTOWN COFFEE SHOP - DAY

Ben is at a table waiting for someone. Cassandra comes in the coffee shop. As soon as Ben sees her, he signs her. Cassandra sees him and smiles. She walks toward him. Ben stands.

BEN

(smiles)

You came!

CASSANDRA

Sorry, it took me so long. I had an unexpected visitor at home and she took over my bathroom.

BEN

It's OK.

Ben signs her to sit. Both sit. They stare at each other for moments. Then Cassandra lowers her gaze.

BEN (CONT'D)

I'm really glad you came.

Cassandra looks at him.

CASSANDRA

Me too.

They both seem shy.

BEN

(smiles)

I had fun the other night.

CASSANDRA

Me too. I've never done something like that.

BEN

(surprised)

You never went to a drive-in theater?

CASSANDRA

To be honest, I didn't.

BEN

Well, Cass, hand me a list of thing you haven't done and I'll promise I'll change that fact.

Cassandra smiles. A girl (JOY, 19) comes in. She has a gothic look. Black clothes, black nails. Her dark hair has purple highlights. The girl approaches the counter and buys coffee.

CASSANDRA

I'm gonna do that. You'll see.

Ben smiles. Joy takes her cup of coffee to go and heads towards the exit door. As she walks there, a guy (WADE, 19) stands and approaches her.

WADE

Hey, Joy. What's up?

The girl stops and looks at him.

WADE (CONT'D)

You wanna join us?

JOY

I can't. Sorry!

The girl turns to leave, but the Wade doesn't want to let her go. He grabs her arm.

WADE

Wait. I just want to get to know you.

Joy stares at him.

JOY

Let me go, please.

Wade grabs Joy strongly. She tries to leave, but he doesn't let her.

JOY (CONT'D)

Please!

This scene is attracting everybody's attention. Ben and Cassandra look at Joy and Wade.

Joy tries to leave, but Wade is still grabbing her. That's when Joy, already mad, puts her right hand on Wade's arm. As soon as her hand touches him, Wade stops forcing her. Wade turns white, almost pale. The boy falls down on the floor, unanimated. Ben and Cassandra stand and approach Wade. Cassandra stares at Joy who is open-eyed standing there staring at Wade. Ben lowers down and tries to take Wade's signs. Cassandra glances at Wade. Ben takes Wade's signs.

BEN

He's alive. Call 911!

Joy turns around and leaves the place as fast as she can. Cassandra watches her leave and runs to follow her.

CUT TO:

EXT. SAN FRANCISCO - DOWNTOWN - STREET - DAY

Joy comes walking fast. Cassandra runs after her.

CASSANDRA

Hey! Wait!

Joy doesn't stop. Cassandra runs faster till she reaches her. Cassandra grabs Joy's left hand trying to stop her and feels a shock wave. Cassandra backs off immediately. Joy looks at her.

JOY

(worried)

Are you OK?

CASSANDRA

I am.

JOY

You touched me.

Cassandra stares at her.

JOY (CONT'D)

How are you OK?

Both stare each other.

CASSANDRA

Why wouldn't I be OK?

JOY

(disguising)

Nothing. Forget it.

Joy starts walking. Cassandra tries to stop her.

CASSANDRA

Wait!

Joy stops and turns to face Cassandra.

CASSANDRA (CONT'D)

What happened back there?

JOY

I don't know what you're talking about.

CASSANDRA

That guy was bothering you and then suddenly he fell down.

(serious)

I saw you.

JOY

I've gotta go.

Joy turns around.

CASSANDRA

You have a power.

Joy stops.

CASSANDRA (CONT'D)

And you can't control it. Am I right?

Joy turns to face Cassandra.

JOY

I said I don't know what you're talking about.

Joy turns around and walks fast out of there. Cassandra stands seriously watching her leave.

CUT TO:

EXT. MATTHEWS / MITCHELL MANOR - DAY

STOCK.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - TWINS' BEDROOM - DAY

The bedroom is still a mess. Tamora is lying on her bed. Her eyes are red. In spite she's not crying, it seems like she spent the past hours crying.

The door opens. Prue comes in. She looks at Tamora. Prue closes the door behind her and approaches the bed. Tamora doesn't stare at Prue. Prue sits on the bed and looks at Tamora feeling sad for her.

PRUE

Honey ---

TAMORA

I want to be alone, Prue.

PRUE

I know.

Prue gently touches her shoulder in sign of comprehension.

PRUE (CONT'D)

You need to overcome this, sweetie.

Tamora sobs.

TAMORA

What would you do?

Prue stares at Tamora. Tamora gets into a sitting position.

TAMORA (CONT'D)

What would you do if it was Wyatt?

Prue lowers her gaze. A tear runs down Tamora's face.

TAMORA (CONT'D)

What would you do?

Prue looks at Tamora. She's serious.

PRUE

I would set the world on fire. And I wouldn't regret it.

Another tear runs down Tamora's face.

PRUE (CONT'D)

But that's me.

(pauses)

You're different. You are strong enough to overcome this whole situation.

(assures)

And you will.

Prue dries Tamora's tears.

PRUE (CONT'D)

It might take time, but you will.

Prue stands ready to leave. She glances at the side table and something calls her attention.

CLOSE UP: ENVELOPE WITH THE NAME "TAMORA MITCHELL" IN IT.

PRUE (CONT'D)

(curious)

What is this?

Prue takes the envelope.

TAMORA

(sobs)

It came yesterday.

(sobs again)

They want me to attend to Sebastian's last will hearing.

Prue puts the envelope back on the side table.

PRUE

Are you going?

Tamora looks serious at Prue.

TAMORA

I don't know.

Tamora covers her face crying. Prue caresses Tamora's hair softly.

CUT TO:

INT. MATTHEWS / MITCHELL MANOR - FIRST FLOOR CORRIDOR - DAY

Prue comes out the twins bedroom. Junior approaches her.

JUNIOR

Did you talk to her?

Prue takes a deep breath.

PRUE

She's devastated.

JUNIOR

To say the less.

PRUE

She can't stay alone.

JUNIOR

Don't worry. I'll be here.

Prue forces a tiny smile.

JUNIOR (CONT'D)

How are you?

PRUE

I'm --- good. You?

Junior shrugs.

PRUE (CONT'D)

Mel told me about your father. He's working at Halliwell's.

JUNIOR

You mean Christopher.

Prue nods.

JUNIOR (CONT'D)

He is not my father. He is my biological father.

(pauses)

My father is Henry Mitchell.

PRUE

Still. I'm glad you two are getting along.

JUNIOR

I'm just helping him.

PRUE

Yeah, whatever you say.

(pauses)

I need to go know. I have some things to do.

Prue kisses his cheek.

PRUE (CONT'D)

See you later, cous.

JUNIOR

See ya.

Prue walks out of there. Junior approaches the twins bedroom's door and he's about to knock it, but then gives up. He walks away.

CUT TO:

INT. DOWNTOWN COFFEE SHOP - DAY

Ben is with a group of young people. They're talking. Cassandra comes in the coffee shop. Ben sees her coming in. He says something to the people he's with and then approaches Cassandra.

BEN

Hey. Where were you?

CASSANDRA

(disguising)

Oh --- I --- I was just ---

(pauses)

--- Worried. That girl left so fast.

(looks around)

What happened?

BEN

Wade was taken to the hospital.

A girl approaches them. That girl is Demetria Parker.

DEMETRIA

Hey, guys.

CASSANDRA

What are you doing here?

DEMETRIA

What are you doing here?

Demetria emphasizes the word 'you'. Demetria blinks to Cassandra. They both stare at each other.

DEMETRIA (CONT'D)

Did you see what happened?

CASSANDRA

I did.

They both stare at each other as if they were communicating through their eyes. Ben glances from one to the other.

BEN

OK, I get it. You two want to talk.

(to Cassandra)

I'll have to go. Can I call you later?

CASSANDRA

(smiles)

Of course.

Ben kisses Cassandra's cheek and walks out of the coffee shop.

DEMETRIA

So, what happened?

CASSANDRA

That's a good question.

DEMETRIA

He fainted when she touched him.

CASSANDRA

I know. There's something weird with that girl.

DEMETRIA

Is that the right word? Weird?

Cassandra signs Demetria to follow her to a corner. Once in a corner, Cassandra whispers.

CASSANDRA

I followed her. I touched her and I felt a weird thing.

DEMETRIA

What thing?

CASSANDRA

Like an electrical shock. And she looked at me weirdly.

(pauses)

Like, if she was surprised that I was fine.

They stare at each other.

DEMETRIA

Do you think this is worth investigating?

CASSANDRA

(sighs)

I do.

DEMETRIA

Then, count me in.

Cassandra smiles at Demetria. They head out.

CUT TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

FADE IN:

EXT. WHITMORE MANSION - DAY

STOCK.

CUT TO:

INT. WHITMORE MANSION - ENTRANCE HALL - DAY

The bell rings. The Butler heads to the door and opens it. BEAT. Prue Halliwell herself is there.

BUTLER

Good afternoon!

PRUE

(shy)

Hello. I am ---

BUTLER

(cuts her off)

Mrs. Halliwell.

The Butler signs her to come in. Prue comes in.

BUTLER (CONT'D)

I know who you are since ---

(pauses)

--- Mr. Whitmore's funeral.

Prue lowers her gaze. Then she looks at him.

PRUE

I'm very sorry for your lost.

BUTLER

Thank you, Mrs. Halliwell.

(pauses)

Anyway, I'm really glad you came.

Prue shoots him a look.

PRUE

(amazed)

You are?

BUTLER

Mrs. Halliwell, please follow me. I have something for you.

Prue doesn't understand. The Butler heads inside the house. Prue is reluctant, but then she follows him.

CUT TO:

INT. WHITMORE MANSION - LIBRARY - DAY

The Butler comes in followed by Prue. The Butler closes the door after Prue comes in.

PRUE

I don't understand. Did you know I was coming?

The Butler looks seriously at her.

BUTLER

After all that happened I supposed that one of you would come sooner or later.

PRUE

One of us?

BUTLER

A Halliwell.

(pauses)

Mrs. Halliwell, I don't know all the secrets this family kept, I just know what Jeremiah and Sebastian Whitmore told me.

PRUE

So, you don't know exactly what happened last week?

BUTLER

I tried to understand, but I guess it's not for me to understand.

The Butler lowers his gaze.

BUTLER (CONT'D)

But that's not why I'm glad a Halliwell came into this house.

Prue doesn't understand. The Butler heads towards the desk. He opens one of its drawers. He takes what looks like a notebook from inside the drawer. He looks seriously at it. Then he looks at Prue.

BUTLER (CONT'D)

Many years ago, when Mr. Whitmore, the father was plenty of health, he called me to this same library and made me promise that if something bad happened I should hand this journal to the first Halliwell that stepped into this house.

(approaches Prue)

You are the first Halliwell stepping in.

PRUE

Tamora was here before.

BUTLER

I know. But nothing bad had happened until now. And she may not come to the will's hearing.

(pauses)

That's why this is yours.

The Butler hands the journal to Prue. She looks seriously at it and after a couple of seconds, she takes it.

PRUE

What is it?

BUTLER

I don't know. I've never read it. But something tells me that you'll find answers in there.

Prue looks at the journal.

BUTLER (CONT'D)

Mrs. Halliwell?

Prue looks at him.

BUTLER (CONT'D)

Please, promise me that whoever killed my boy will pay hardly.

Prue stares seriously at him.

PRUE

I don't know how, but I promise you that he will.

The Butler shoots her a thankful look. Prue smiles.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - DAY

Pandora is surrounded by a circle of candles. She's sitting cross-legged and eyes closed. It seems like she's meditating.

Cassandra and Demetria come in a rush. They stop as soon as they see Pandora there.

CASSANDRA

What the hell are you doing?

Pandora is brought back to reality.

PANDORA

Trying to meditate. Am I allowed?

CASSANDRA

Sure!

Cassandra shrugs and signs Demetria to head to the Book of Shadows. Pandora tries to get back to her meditation, but the fact that Cassandra and Demetria head to the Book of Shadow calls her attention.

PANDORA

What are you doing, anyway?

CASSANDRA

I need to find something.

DEMETRIA

(to Pandora)

What's your excuse?

PANDORA

I was just trying to relax. But it's impossible.

Cassandra starts flipping the Book of Shadows. Pandora stands.

PANDORA (CONT'D)

I can feel what Tam is feeling. I never felt something like this.

DEMETRIA

(confused)

I don't understand.

CASSANDRA

Twins connection.

DEMETRIA

Oh, I see. How is she anyway?

PANDORA

(forces a smile)

Bad.

(pauses)

Prue's bedroom is the only place I felt good.

CASSANDRA

Yes, she cast a spell back when she was a teenager.

PANDORA

I want to have her mind.

Cassandra smiles. She keeps flipping through the book.

PANDORA (CONT'D)

What are you looking for, anyway?

CASSANDRA

An explanation to what happened.

PANDORA

Do you care to elaborate?

DEMETRIA

We think we met a girl with a power and no control over it.

Pandora shoots them a look.

PANDORA

Yeah, I think I prefer to keep meditating.

Then, Cassandra finds something.

CASSANDRA

I got it!

Cassandra points to a page on the book. Demetria looks at it.

DEMETRIA

(reading)

Negative Touch?

CASSANDRA

(reading)

'A very rare power. The user of this power can cause negative effects on others by touching them, including remove powers, absorbing life-force, cause necrosis or even cause instant death.'

Cassandra stops reading. She's astonished. Demetria and Pandora exchange glances.

CASSANDRA (CONT'D)

Poor girl.

DEMETRIA

(to Cassandra)

She touched you!

CASSANDRA

She did.

PANDORA

Oh, my God, did she remove your powers?

CASSANDRA

(panicking)

I don't know!

DEMETRIA

(to Cassandra)

OK. Try to beam.

Pandora nods. Cassandra agrees. Cassandra takes a deep breath and then BEAMS out. Demetria and Pandora exchange glances and smile. Then Cassandra BEAMS back in.

CASSANDRA

I have my powers.

DEMETRIA

Maybe it was not that strong.

CASSANDRA

And means that she can learn to control it.

(to Demetria)

We need to find her.

Demetria nods. Cassandra looks at Pandora.

CASSANDRA (CONT'D)

Want to join us?

PANDORA

No, thanks. I'll keep meditating.

CASSANDRA

Good luck.

Cassandra BEAMS out followed by Demetria who FLAMES out.

CUT TO:

INT. HALLIWELL MANOR - SITTING ROOM / ENTRANCE HALL / STAIRCASE - DAY

Prue is sitting comfortable on the couch reading the journal the Whitmore's Butler gave her. She seems very into the reading.

The front door is heard and soon Wyatt comes in a rush. He barely notices Prue, but she notices him. He heads towards the staircase. Prue calls for him.

PRUE

Hey.

Wyatt turns to face Prue.

WYATT

Hey!

Prue smiles at him. Wyatt approaches the couch where Prue is.

WYATT (CONT'D)

What are you doing at home in the middle of the day?

PRUE

How about you?

WYATT

I forgot some papers in my bedroom.

PRUE

You mean in Chris' bedroom.

Wyatt lowers his gaze in sign that she was right.

WYATT

Shouldn't you be at P3?

PRUE

I asked Bianca to take care of it for me.

WYATT

Is that so?

Prue nods.

PRUE

I've got better things to do.

Prue shows him the journal.

WYATT

Reading?

PRUE

Not any reading. This is history.

WYATT

Prue, I know you love a good history book, but leaving P3 for a book, it doesn't seem like you.

PRUE

This is not a book, this is a journal.

(pauses)

More specifically, this is the Whitmore's journal.

BEAT. Wyatt shoots her an astonished look.

PRUE (CONT'D)

You won't believe what I've found out.

WYATT

Why do you have that journal in the first place?

PRUE

Because Sebastian's Butler gave it to me. He said he had instructions to hand it to the first Halliwell that stepped into that house.

(pauses)

Well, in case that something bad happened.

Wyatt is curious.

PRUE (CONT'D)

And something bad did happen.

WYATT

And why did you go there?

PRUE

I needed answers.

Wyatt is about to say something, but Prue cuts him off.

PRUE (CONT'D)

You said no Raina, but you didn't say anything about other methods.

Prue shoots him an innocent look. He stares at her for seconds seriously. Then, his face expression softens. he tries to hide a little smile on his face. Prue smiles. Wyatt sits on the couch beside the couch Prue is sitting on.

WYATT

I'm listening.

Prue gets herself comfortable and ready to talk.

PRUE

So, this thing belonged to Sebastian's ancestors. And when I say ancestors, I really mean it. This goes back centuries ago. Like ancient era. The first writing is not very clear, but I can risk and tell that his ancestors come from the beginning.

WYATT

In the beginning, they wrote on stones, Prue.

PRUE

Yeah, I know, Wyatt. But the first people who wrote here wrote about the past. A past where two siblings were giving some objects to take care of.

WYATT

What objects?

PRUE

It doesn't say.

(pauses)

But it says that whoever handed the objects to them told them that evil could never put hands on it. They swore to protect it.

WYATT

Well, that we already know. Sebastian told us about it.

PRUE

What he didn't say was that our families were connected since ever.

WYATT

What do you mean?

Prue smiles and sits back.

PRUE

You know who Eva was?

WYATT

Should I know?

PRUE

Remember the bedtime stories mum used to tell us about how she, Aunt Prue and Aunt Piper helped bringing Melinda Warren into this world.

WYATT

I was never the bedtime stories time, Prue, you know that.

PRUE

Fine. But you were there. You listened to the same stories I did. Whether you liked them or not.

WYATT

(annoyed)

Fine. Go on. Who was Eva?

PRUE

Eva was the witch our mothers encounter back in the 17th century. She was a friend of Charlotte Warren. Eva belonged to a coven of witches who took in Charlotte Warren. And she taught our mothers some things about magic.

WYATT

What does she have to do with the Whitmores?

PRUE

She was Sebastian's ancestor.

WYATT

(surprised)

What?

Prue smiles.

PRUE

Oh, yeah. And that's not all.

(pauses)

Melinda Warren's guard.

Wyatt stares seriously at Prue.

PRUE (CONT'D)

He wanted to help her. But she didn't want. She wanted to die so her daughter would have a safe life.

WYATT

And I guess that guard was ---

PRUE

(cuts him off)

Eva's son and adoptive father of Prudence Warren, Melinda's daughter.

WYATT

Come again.

Prue smiles.

PRUE

He wrote here that when Prudence reached adult age, she left and never saw her again. But he and his wife raised her as if she was another of their kids.

Wyatt is astonished.

PRUE (CONT'D)

And there's more.

WYATT

More?

PRUE

Sebastian's great-great grandfather met us back in the twenties.

WYATT

Us?

PRUE

I mean Isabelle, William and Matthew Halliwell.

(pauses)

That's how he reached the Warren line. He attended to Penny and Allen Halliwell's wedding ceremony.

WYATT

You're kidding me, right?

Prue nods no.

WYATT (CONT'D)

That's why Sebastian knew who we are.

PRUE

Exactly.

WYATT

Does it say anything about Melissa's family?

PRUE

No much. Only that they separated a little after Melinda Warren was born. Somehow they felt that the objects they were protecting would be safer if they were apart. So they separated the objects.

WYATT

Melissa's family kept the Medallion while Sebastian's kept ---

(pauses)

Whatever they kept.

Prue nods yes.

PRUE

Exactly. Melissa and Sebastian's father met each other years ago and somehow they found about their relation.

WYATT

If the Whitmores knew about us and encounter us through time ---

PRUE

The Coopers did as well. Prove of that is Melissa. She even dated you.

Prue shoots him a look. Wyatt stands. He seems astonished with the whole story.

WYATT

This is ---

PRUE

Unbelievable? Amazing? Surreal?

Wyatt looks at her.

PRUE (CONT'D)

You name it!

WYATT

It doesn't say there ---

(points to the journal)

--- how to vanquish whatever is coming?

PRUE

No.

WYATT

We need to find out what happened that night.

(pauses)

Maybe that demon took whatever Sebastian was keeping.

PRUE

Well, let's hope Tam gets better fast.

They stare at each other.

PRUE (CONT'D)

Don't you have to get back to Bay Mirror?

WYATT

I need to go Upstairs first.

They keep staring at each other. Wyatt seems like he wants to say something else. Prue notices it.

PRUE

What?

WYATT

Good job.

Prue smiles.

PRUE

So, do you believe I'm on the right side now?

WYATT

I always believed, Prue. You are the one who believed otherwise.

Prue lowers her gaze.

WYATT (CONT'D)

See you later, Love.

Wyatt heads upstairs. Prue watches him going upstairs. Then she sits back and opens the journal. She keeps reading.

CUT TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

FADE IN:

EXT. WHITMORE MANSION - DAY

STOCK.

CUT TO:

INT. WHITMORE MANSION - ENTRANCE HALL - DAY

From one of the rooms Melissa and Tamora come. They both seem shaken.

MELISSA

(to Tamora)

Are you OK?

Tamora looks at Melissa.

TAMORA

I don't know. This whole thing seems so weird.

MELISSA

I agree. It was not a will hearing. It was more like instructions.

TAMORA

Yeah. Besides, how he left us those things? He had no time for that.

MELISSA

He knew you like art, so it's normal that he left you his entire art collection.

TAMORA

To watch over. What the lawyer read never said it's yours. He said, to watch over while I'm gone.

(pauses)

To you, he left part of the company.

MELISSA

Yeah, it's like he is not gone, but away. You know?

Both stare at each other.

MELISSA (CONT'D)

Tam, I don't know much about this, but do you think there's a possibility that he is not ---

(pauses)

--- You know, dead?

Tamora stays silent for seconds.

TAMORA

I've been praying for that since that night. If he wasn't he would come to me. I know he would.

Tamora gives her back on Melissa.

TAMORA (CONT'D)

I can't forgive myself.

Melissa looks seriously at Tamora.

TAMORA (CONT'D)

It was my job to protect him and I failed.

Tamora turns to Melissa.

TAMORA (CONT'D)

I've failed.

MELISSA

I saw what demons can do. It's not your fault.

TAMORA

I'm a witch, Melissa. A powerful one. I'm not allowed to fail. Not with an innocent.

MELISSA

I don't understand much of that, but I know it's not your fault. You have to start accepting that, otherwise, it'll consume you.

Melissa shoots Tamora a supportive look.

TAMORA

Are you gonna stop working at Bay Mirror now that you are a rich woman?

Melissa smiles.

MELISSA

No way. I'm a reporter. That money is just part of Sebastian big fortune. Every month I'll receive part of the incomings and I'm gonna use it to do something good like helping the poor or something.

Both smile. At that moment, the Butler comes out of the room and approaches them.

BUTLER

Miss Mitchell, I would like to ask you something.

TAMORA

Yes?

BUTLER

As you heard, Mr. Whitmore instructed me to get back to the house in France. I would like to ask you to keep an eye on this house.

TAMORA

Sure. The whole art collection is here and I'm not thinking of taking it out.

BUTLER

Thank you, Miss Mitchell.

Tamora gives him a look.

BUTLER (CONT'D)

You were important for him. I know that.

TAMORA

You were too.

Both smile at each other. Then the Butler heads into the house.

MELISSA

(to Tamora)

Are you leaving?

TAMORA

(thinks for seconds)

No. I need to face it. This house is where he died.

(pauses)

I can call Chris or Wyatt to take you to where you've been.

MELISSA

Oh, no. I'm going home.

TAMORA

Are you sure?

MELISSA

That demon doesn't care for me anymore. He already got what I had.

Tamora deviates her eyes from Melissa.

TAMORA

Yeah, he got something from Sebastian too.

(looks at Melissa)

But, if you need us, just call us.

Melissa nods.

MELISSA

See ya.

Tamora smiles. Melissa heads out of the mansion. Tamora stays thoughtful. She turns around and looks at the place that leads to the basement.

TAMORA

I can do it!

She heads inside.

CUT TO:

INT. CAMPUS - DORMS - CORRIDORS - NIGHT

There are a few people on the corridors. Cassandra and Demetria come walking.

CASSANDRA

Are you sure she's here?

DEMETRIA

That's what her colleagues said.

CASSANDRA

Which one is her bedroom?

DEMETRIA

That one over there.

Demetria points to one of the dorms. They head towards it. Once there, Cassandra knocks the door. No one answers.

CASSANDRA

She's not in.

DEMETRIA

Wait.

Demetria knocks. Moments later, someone opens the door. It's Joy. Joy stares at Cassandra and Demetria.

JOY

What do you want?

Cassandra and Demetria exchange glances.

CASSANDRA

(to Joy)

We only want to talk.

DEMETRIA

Can we come in?

Joy stares seriously at them.

JOY

(to Cassandra)

I already told you I don't know what happened.

CASSANDRA

(serious)

You have a power, Joy. Do you want me to talk about it here? In the middle of the corridor?

DEMETRIA

Let us in, Joy. We can help you.

Joy thinks for seconds, then she signs them in. Cassandra and Demetria head into the room.

CUT TO:

INT. CAMPUS - DORMS - JOY'S BEDROOM - NIGHT

Cassandra and Demetria come in. Joy closes the door. The bedroom is dark. Only the table lamp is on.

CASSANDRA

(to Joy)

Were you born with that power?

JOY

(turns around)

What power?

CASSANDRA

Negative Touch?

Joy turns to face her. She's astonished.

JOY

How do you ---?

CASSANDRA

(cuts her off)

We're witches. We have powers.

JOY

(surprised)

Witches?

DEMETRIA

Are you a witch?

JOY

(offended)

No.

Joy starts placing the room.

JOY (CONT'D)

I'm just cursed.

Cassandra and Demetria exchange glances.

DEMETRIA

Cursed?

JOY

I was born with this ---

(looks at Cassandra)

Did you call it power?

Cassandra nods.

JOY (CONT'D)

Power.

DEMETRIA

But you're not a witch?

JOY

I didn't even know that witches were real. So, no, I'm not a witch.

Joy sits on the bed.

JOY (CONT'D)

I inherited this power from my father.

Cassandra sits beside Joy. Demetria pulls a chair and sits in front of them.

JOY (CONT'D)

He never told me about it until recently when I ---

Tears start running Joy's face.

JOY (CONT'D)

I ---

(lowers her gaze)

--- I was with my boyfriend. Things started getting ---

Cassandra and Demetria exchange glances. It seems like they know where things are going.

JOY (CONT'D)

(cries)

I killed him.

Joy swallows.

JOY (CONT'D)

That was when dad told me the truth. He has the same power and someday he was with mum and he was drunk and ---

Joy looks at Cassandra.

JOY (CONT'D)

--- He killed her too.

CASSANDRA

I'm so sorry.

JOY

I can't touch people. Bad things happen.

DEMETRIA

You can learn to control it. You said your father lost control of it when he killed your mother, right?

Joy nods yes.

DEMETRIA (CONT'D)

Then, you can learn to control it too.

JOY

I don't think so.

Cassandra takes Joy's hand.

CASSANDRA

I killed my boyfriend too.

Demetria and Joy look at Cassandra.

CASSANDRA (CONT'D)

It was a different situation. I was protecting my sister. But I did. I killed him.

(pauses)

I still feel shaken by it, but I'm living. I've moved on. It was not my fault.

(assures)

As it's not your fault what happened to your boyfriend. Or to Wade.

DEMETRIA

Look, Joy.

Joy looks at Demetria.

DEMETRIA (CONT'D)

We can help you.

CASSANDRA

Yeah, there's a place where you can learn how to control your power. It's called Magic School.

Joy is open-eyed.

JOY

Magic School?

CASSANDRA

Magic is real, Joy. Your power is not a curse, but you need to learn to control it.

DEMETRIA

We can take you there.

Joy forces a smile.

JOY

OK.

Cassandra and Demetria smile at each other.

CUT TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

FADE IN:

EXT. SAN FRANCISCO - NIGHT

Shots of the entire town at the sound of 'Let it Hurt' by Rascal Flatts.

CUT TO:

INT. WHITMORE'S MANSION - SEBASTIAN'S BEDROOM - NIGHT

MUSIC KEEPS PLAYING.

CLOSE UP: SEBASTIAN'S BED.

Tamora rubs her right hand over the blanket. Tears run down her face. She closes her eyes as tears run down her face.

CLOSE UP: FRAME WITH A PHOTO OF SEBASTIAN WHEN KID WITH HER PARENTS.

Tamora takes the frame and holds it close to her chest. She puts the frame back to its place.

CUT TO:

INT. WHITMORE'S HOUSE - BASEMENT - SECRET ROOM - NIGHT

MUSIC KEEPS PLAYING.

Lights are turned on. Tamora comes downstairs slowly. The place still looks a mess from the attacked where Sebastian died.

Tamora approaches slowly the table where the collection of Book of Angels is. All the Books are there, but the last one. Vol VII was taken by Ignatius. Tamora touches the glass table carefully.

MUSIC FADES OFF.

Tamora dries her tears. She gets serious and decided.

TAMORA

I promise I'll find that demon and I'll make him pay.

(pauses)

He will suffer. He will pay for what he did to you.

(pauses)

I don't know where, but I'll find the power to destroy him.

SEBASTIAN (O.S.)

Don't.

BEAT. That voice. Tamora turns around little by little. BEAT AGAIN. There he is. Dressed in a white suit. Sebastian stands in front of Tamora. He seems serene and in peace.

TAMORA

(surprised)

Sebastian?

SEBASTIAN

Don't look for revenge. Yes, you have to fight what's coming, but not alone. 

(assuring)

With you family.

TAMORA

(still astonished)

Are you a ghost?

Sebastian smiles.

SEBASTIAN

Do I look like a ghost?

Tamora smiles big. She runs to hug him. They hug strongly. Then they kiss.

TAMORA

How is this possible?

Tamora touches him, trying to make sure that he's real.

TAMORA (CONT'D)

I saw you dying.

SEBASTIAN

I died.

TAMORA

And still, you are here. In the flesh.

Sebastian smiles.

SEBASTIAN

I was given a second chance, Tam.

Tamora steps back.

TAMORA

Are you a Whitelighter?

Sebastian smiles and nods.

SEBASTIAN

I am.

He approaches her.

SEBASTIAN (CONT'D)

They assigned you to me, not only to protect me ---

TAMORA

Task in which I failed.

SEBASTIAN

No, you didn't.

(pauses)

They assigned you to me so our families could meet. So we could meet.

(pauses)

I died, Tam, but I never felt more alive.

TAMORA

Will I see you again?

Sebastian smiles.

SEBASTIAN

Honey, I just found you. I'm not willing to let you go.

TAMORA

And your will ---?

SEBASTIAN

It was my instructions. Not a will. I died, yes. But I was given a second chance. It's not the same, but as for now, I'm just away not dead.

TAMORA

(realizes something; smiles)

That's why you asked me to watch the art collection for you.

SEBASTIAN

Not just that.

Sebastian looks at the books.

SEBASTIAN (CONT'D)

You need to watch those too.

Tamora looks at the books.

TAMORA

He took the other one.

SEBASTIAN

You and your family need to be prepared for what's coming. You'll know what to do with them.

Tamora stares at Sebastian.

TAMORA

Can I give them to someone?

SEBASTIAN

(smiles)

If you're thinking of who I think you are, then yes.

TAMORA

She loves historical books.

SEBASTIAN

(smiles)

Don't ask me why, but somehow I know she's the right one to take care of them.

(pauses)

At least until I get back.

TAMORA

(sad)

So, you won't stay?

SEBASTIAN

I need to stay away for a while. I have a lot to learn. Your mother and your aunt Prue are being very helpful.

TAMORA

(surprised)

My mum?

Sebastian nods.

TAMORA (CONT'D)

(understands)

So that's why she left me with my pain.

Sebastian smiles. He approaches her and kisses her softly.

SEBASTIAN

I need to go know. I'll be back as soon as possible.

(smiles)

I love you.

Tamora smiles big.

TAMORA

I love you too.

Sebastian smiles and ORBS out. Tamora takes a deep breath. She's happy.

CUT TO:

INT. DOWNTOWN COFFEE SHOP - NIGHT

Ben is at a table. Cassandra comes in and sees him. She approaches his table fast.

CASSANDRA

Ben!

Ben looks at her. He stands.

BEN

Cass! I was worried when I got your text.

CASSANDRA

I need to tell you something.

Ben signs her to sit, but she doesn't.

CASSANDRA (CONT'D)

No.

She takes a deep breath.

CASSANDRA (CONT'D)

I like you.

Ben is amazed.

BEN

I like you too, Cass.

CASSANDRA

Let me finish.

Cassandra takes another deep breath.

CASSANDRA (CONT'D)

My last relationship didn't end well. I felt guilty for his dead, but I'm not. It was not my fault.

(pauses)

I'm tired of feeling guilty. I don't want to keep feeling this way. So yes, I'm ready. I'm ready to move on. I'm ready to ---

Cassandra approaches him and kisses him fast.

CASSANDRA (CONT'D)

--- to that.

Ben is open-eyed.

BEN

Cass ---

CASSANDRA

Unless you don't want to.

BEN

(smiles)

You're a weird person, Cassandra Halliwell. That's why I like you.

Cassandra smiles big. Ben approaches her and kisses her.

CUT TO:

INT. HALLIWELL MANOR - KITCHEN - NIGHT

CLOSE UP: SMALL EXPLOSION.

Wyatt is next to the cooker. He approaches the pan. He smiles. It seems like he's preparing a potion. Question is, what potion is that?

At that moment, Chris comes in. He stops as he looks at what Wyatt is doing.

CHRIS

What are you doing?

WYATT

What do you think?

CHRIS

You're preparing that potion, aren't you? 

Wyatt doesn't answer. He stares at Chris.

WYATT

I'll find him, Chris. And when I do so, I'll vanquish him.

Both brothers stare seriously at each other.

CUT TO:

INT. HALLIWELL MANOR - ATTIC - NIGHT

Prue is sitting on the couch. Tamora comes in.

TAMORA

Hey!

Prue looks at her and smiles.

PRUE

Hey!

(stands)

You look better.

TAMORA

I'm better.

PRUE

I'm glad.

TAMORA

He's back. Sebastian.

Prue is surprised.

TAMORA (CONT'D)

He's a Whitelighter.

Prue smiles.

PRUE

I'm happy for you.

Tamora smiles.

TAMORA

Yeah, well, I need to show you something, Prue.

PRUE

Show me what?

TAMORA

You'll see.

Tamora stares seriously at Prue.

CUT TO:

INT. WHITMORE'S MANSION - BASEMENT - SECRET ROOM - NIGHT

Tamora and Prue are there. Tamora stands in front of the glass table. Prue approaches the table.

TAMORA

The demon took one of these. The last one.

PRUE

What are these?

TAMORA

A collection of books named Book of Angels. This is what was given to Sebastian's family to protect.

Prue touches one of the books. She feels a chill. Tamora notices it.

TAMORA (CONT'D)

Are you OK?

PRUE

It was just a chill.

Tamora touches Prue's shoulder.

TAMORA

They're yours.

Prue shoots Tamora a surprised look.

PRUE

(surprised)

What?

TAMORA

At least until Sebastian gets back. He said that you'll know what to do with them.

(pauses)

It may help us to get ready for what's coming.

PRUE

You said that demon took the last one?

Tamora nods.

TAMORA

He seemed interested in that one.

Prue looks at the books.

PRUE

Whatever is coming is dark, Tam.

TAMORA

Then, we'll be ready to face it.

(assures)

We are the Destined Ones.

Prue smiles at Tamora. Then both look at the books. The camera slowly moves away and soon ---

CUT TO BLACK.

END OF THE EPISODE